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John Singleton Copley / ˈ k ɑː p l i / RA (July 3, 1738 [1] – September 9, 1815) was an Anglo-American painter, active in both colonial America and England. He was believed to be born in Boston, Province of Massachusetts Bay, to Richard and Mary Singleton Copley, both Anglo-Irish.
John Durand (active 1765–1782) [note 1] was a colonial American portraitist. With John Mare, Abraham Delanoy, and Lawrence Kilburn, he was one of a number of portraitists living and working in New York City during the 1760s. Nothing is known of Durand's origins, training or upbringing, as is often the case with colonial American painters.
As in Colonial America, many of the painters who specialized in portraits were essentially self-taught; notable among them are Joseph Badger, John Brewster Jr., and William Jennys. The young nation's artists generally emulated the style of British art, which they knew through prints and the paintings of English-trained immigrants such as John ...
Portrait of Mrs. Thomas Mumford VI, c. 1763, oil on canvas, in the collection of the Brooklyn Museum of Art. William Johnston (1732 – April 1772) was a colonial American painter. He was the first painter to spend any significant amount of time in Connecticut, and was active in Portsmouth, New Hampshire as well. [1]
Portrait of Isaac Winslow and His Family, oil on canvas, one of the earliest group portraits painted in Colonial America [3] 54 1 ⁄ 2 × 79 1 ⁄ 4 in. (138.4 × 201.3 cm.) Museum of Fine Arts, Boston, Massachusetts
The firm Currier and Ives described itself as "Publishers of Cheap and Popular Prints". At least 7,500 lithographs were published in the firm's 72 years of operation. [8] Artists produced two to three new images every week for 64 years (1834–1895), [9] producing more than a million prints by hand-colored lithography.
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A Boy with a Flying Squirrel (Henry Pelham), or Henry Pelham (Boy with a Squirrel), is a 1765 painting by the American-born painter John Singleton Copley.It depicts Copley's teenaged half-brother Henry Pelham with a pet flying squirrel, a creature commonly found in colonial American portraits as a symbol of the sitter's refinement.