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The prominent painter and tapestry designer Bernard van Orley (who trained in Italy) transmuted the Raphaelesque monumental figures to forge a new tapestry style that combined the Italian figural style and perspective rendition with the "multiple narratives and anecdotal and decorative detail of the Netherlandish tradition," according to Thomas ...
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The Sampul tapestry, woollen wall hanging, 3rd–2nd century BC, Sampul, Ürümqi Xinjiang Museum. The Hestia Tapestry, 6th century, Byzantine Egypt, Dumbarton Oaks Collection. The Cloth of Saint Gereon – early 11th-century, the oldest European tapestry still extant. Tapestry of Creation, 11th-century, Spain. Large needlework hanging with ...
Basilica of San Vitale, Ravenna, 548. Italy has the richest concentration of Late Antique and medieval mosaics in the world. Although the art style is especially associated with Byzantine art and many Italian mosaics were probably made by imported Greek-speaking artists and craftsmen, there are surprisingly few significant mosaics remaining in the core Byzantine territories.
The Battle of Pavia tapestries are a set of seven tapestries made from about 1528 to 1531 depicting events from the Battle of Pavia of 24 February 1525. The tapestries were designed under the direction of Bernard van Orley and made in Brussels at a workshop of Willem and Jan Dermoyen.
"The Unicorn Rests in a Garden," also called "The Unicorn in Captivity," is the best-known of the Unicorn Tapestries. [1]The Unicorn Tapestries or the Hunt of the Unicorn (French: La Chasse à la licorne) is a series of seven tapestries made in the South Netherlands around 1495–1505, and now in The Cloisters in New York.
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