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In literature, polyphony (Russian: полифония) is a feature of narrative, which includes a diversity of simultaneous points of view and voices. Caryl Emerson describes it as "a decentered authorial stance that grants validity to all voices". [1] The concept was introduced by Mikhail Bakhtin, using a metaphor based on the musical term ...
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().
The Polyphonic era is a term used since the mid-19th century to designate an historical period in Western classical music in which harmony in music is subordinate to polyphony. [1] It generally refers to the period from the 13th to the 16th century. [ 2 ]
Another crucial distinction between Renaissance and Baroque writing is its texture: the shift from contrapuntal polyphony, in which all voices are theoretically equal, to monody and treble-bass polarity, along with the development of basso continuo. In this new style of writing, solo melody and bass line accompaniment were now the important ...
An outright ban on polyphonic music was debated behind the scenes, and guidelines were issued requiring that church music have clear words and a pure, uplifting style. Although the tales of Giovanni Pierluigi da Palestrina "rescuing" polyphony with the Missa Papae Marcelli are no longer accepted by scholars, Palestrina's music remains the ...
Upon the development of writing, the music of literate civilizations—ancient music—was present in the major Chinese, Egyptian, Greek, Indian, Persian, Mesopotamian, and Middle Eastern societies. It is difficult to make many generalizations about ancient music as a whole, but from what is known it was often characterized by monophony and ...
In the dreaded cold days of winter, there's nothing like a hearty stew to warm you right up. And Ree Drummond agrees: "There's just something so comforting about a pot of thick, glossy stew ...
Three special figures are introduced into third species and later added to fifth species, and ultimately outside the restrictions of species writing. There are three figures to consider: The nota cambiata, double neighbor tones, and double passing tones. Double neighbor tones: the figure is prolonged over four beats and allows special dissonances.