Ad
related to: kalidas nibandh in sanskrit pdf english book b1
Search results
Results From The WOW.Com Content Network
Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga.This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his Kumārasambhavam, the display of his love for Ujjain in Meghadūta, and his highly eulogistic descriptions of Kalingan emperor Hemāngada in Raghuvaṃśa (sixth sarga).
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
The English renderings of these Sanskrit plays tend to avoid erotic and explicit aspects due to moral tastes of modern audience. [6] The play depicts Kalidasa as a court poet of Chandragupta who faces a trial on the insistence of a priest and some other moralists of his time. [7] [8]
The Mālavikāgnimitram (Sanskrit, meaning Mālavikā and Agnimitra) is a Sanskrit play by Kālidāsa. Based on some events of the reign of Pushyamitra Shunga , [ 1 ] it is his first play. Mālavikāgnimitram tells the story of the love of Agnimitra , the Shunga Emperor at Vidisha , [ 2 ] for the beautiful handmaiden of his chief queen.
Bhavabhūti (Devanagari: भवभूति) was an 8th-century scholar of India noted for his plays and poetry, written in Sanskrit. His plays are considered the equal of the works of Kalidasa. He is known as "Poet of Karun Rasa" for his work named as Uttararamacarita. Bhavabhuti was born in Padmapura, tah.
Meghadūta (Sanskrit: मेघदूत literally Cloud Messenger) [1] is a lyric poem written by Kālidāsa (c. 4th–5th century CE), considered to be one of the greatest Sanskrit poets. It describes how a yakṣa (or nature spirit), who had been banished by his master to a remote region for a year, asked a cloud to take a message of love to ...
The classical theory of Sanskrit drama, known as Natyaśāstra makes it a rule that the plot of a Sanskrit drama 'must be famous'. Accordingly, authors of Sanskrit plays use the stories from Purāṇas, Vedic texts and classic epics, namely Mahābhārata and Rāmāyaṇa for developing plays. However, the core objective of a drama is entertainment.
Bhāsa is one of the earliest Indian playwrights in Sanskrit, predating Kālidasa.Estimates of his floruit range from the 4th century BCE [1] to the 4th century CE; [2] the thirteen plays attributed to him are commonly dated closer to the first or second century CE.