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The Hereford mappa mundi, a map of the world with Jerusalem at its centre. The Hereford Mappa Mundi (Latin: mappa mundi) is the largest medieval map still known to exist, depicting the known world. It is a religious rather than literal depiction, featuring heaven, hell and the path to salvation.
The Gough Map or Bodleian Map [1] is a Late Medieval map of the island of Great Britain. Its precise dates of production and authorship are unknown. It is named after Richard Gough, who bequeathed the map to the Bodleian Library in Oxford 1809. He acquired the map from the estate of the antiquarian Thomas "Honest Tom" Martin in 1774. [2]
English art is the body of visual arts made in England.England has Europe's earliest and northernmost ice-age cave art. [1] Prehistoric art in England largely corresponds with art made elsewhere in contemporary Britain, but early medieval Anglo-Saxon art saw the development of a distinctly English style, [2] and English art continued thereafter to have a distinct character.
The Crypt Gallery is a series of medieval vaulted underground chambers in Seaford, East Sussex, which dates from the mid-13th century. [1] [2] [3] The crypt is believed to have been located beneath a medieval merchant premises or a courthouse. [4]
England in the Middle Ages concerns the history of England during the medieval period, from the end of the 5th century through to the start of the early modern period in 1485. When England emerged from the collapse of the Roman Empire, the economy was in tatters and many of the towns abandoned. After several centuries of Germanic immigration ...
Image credits: Youngstown_Mafia Olivia, who created ‘Weird Medieval Guys’ half a decade ago, previously told Bored Panda all about the project and the inspiration behind it. She shared that ...
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.