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You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard.This demo was originally released on cassette by Elsinor Records.
"September" has a funk groove based on a four-measure pattern that is consistent between verses and choruses, built on a circle of fifths. [7]Written in the key of A major, and using a chord progression written by Earth, Wind & Fire guitarist Al McKay, vocalist Maurice White and songwriter Allee Willis wrote the song over one month.
Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.
Singer Sparky Phillips from Demented Are Go recorded with Hillbilly Moon Explosion a version of "Teddy Boy Flick Knife Rock'n'Roll", on the album The Sparky Sessions. He has previously stated that he was influenced by Crazy Cavan in his early days. Klingonz covered "Trouble Trouble" on their Still Stompin album.
Guitar for the Practicing Musician was a guitar magazine published in the United States by Cherry Lane Music from 1982 to 1999. [1] The magazine was published monthly. [ 1 ] In 1992, it was the most popular music publication at newsstands, selling 740,000 issues over a six-month period. [ 2 ]
As Death Cab for Cutie, he released a cassette, You Can Play These Songs with Chords, during the same year. The release was surprisingly successful, and he decided to expand the project into a band, hiring Chris Walla (who worked on the cassette) on guitar, Nick Harmer on bass guitar, and Nathan Good on drums. [ 3 ]
Download as PDF; Printable version; In other projects ... September 3 & 4, 1969. Track listing ... Tim Buckley – Acoustic 12 string Guitar, Vocals, ...
"September Song" is an American standard popular song composed by Kurt Weill with lyrics by Maxwell Anderson. It was introduced by Walter Huston in the 1938 Broadway musical production Knickerbocker Holiday. [1] The song has been recorded by numerous singers and instrumentalists.