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The Ever Popular Tortured Artist Effect is Todd Rundgren's tenth studio album, released in December 1982. The album is a return to the pop sound for which Rundgren is generally most lauded by critics. Considering it a contractual obligation, he spent little time working on Tortured Artist (hence the title).
Guitarist Todd Rundgren said writing the song was "Really laborious for me, I didn't really know how to write music. Shorty Rogers did the arrangement and had to do a lot of corrections." [5] After considering and then discarding the idea of having Felix Pappalardi produce the album, the Nazz picked Bill Traut instead. According to Rundgren ...
Todd Harry Rundgren [7] was born in Philadelphia [8] [2] on June 22, 1948, [7] the son of Ruth (née Fleck; April 29, 1922 – April 6, 2016) and Harry W. Rundgren (1917–1996). His father was of Swedish descent and his mother was of Austrian and German descent.
Unlike a large portion of Rundgren's solo albums on which he played all the instruments and sang all lead and backing vocals, Nearly Human was performed live in the studio with numerous musicians, including the members of Rundgren's defunct band Utopia which had broken up three years earlier; Roger Powell, Kasim Sulton and John "Willie" Wilcox ...
The Nazz was an American rock band formed in Philadelphia in 1967. The group was founded by guitarist and main songwriter Todd Rundgren and bassist Carson Van Osten. [3] Drummer Thom Mooney and vocalist/keyboardist Robert "Stewkey" Antoni joined soon after.
Start a conversation with Todd Rundgren about his sudden wealth of needle drops within the last 10 months — including the multiple interpretations of his 1973 hit “Hello It’s Me” as ...
Todd Rundgren has a virtual road trip on the books for this winter, although the literal part of it will take him and his 10-piece band only as far as Chicago, and leave them there. Rundgren also ...
"Bang the Drum All Day" is a 1983 song from Todd Rundgren's 1982 album The Ever Popular Tortured Artist Effect, released as a single in April 1983. The lyrics describe, in the first person , the narrator's drive to play drums or improvised percussion to the exclusion of other activities such as work, play or education.