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Italian term Literal translation Definition Lacuna: gap: A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello ...
Glossary of music terminology. A variety of musical terms are encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings.
List of musical symbols. Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections ...
The concerto delle donne[a] (lit. ' consort of ladies') was an ensemble of professional female singers of late Renaissance music in Italy. The term usually refers to the first and most influential group in Ferrara, which existed between 1580 and 1597. [b] Renowned for their technical and artistic virtuosity, the Ferrarese group's core members ...
See media help. " Che gelida manina " ([ke ˈd͡ʒɛ.li.da maˈni.na]; "What a frozen little hand") [ 1 ] is a tenor aria from the first act of Giacomo Puccini 's opera, La bohème. The aria is sung by Rodolfo to Mimì when they first meet. In the aria he tells her of his life as a poet, and ends by asking her to tell him more about her life. [ 2 ]
La bohème (/ ˌlɑː boʊˈɛm / LAH boh-EM, [1] Italian: [la boˈɛm]) is an opera in four acts, [N 1] composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème (1851) by Henri Murger. [2] The story is set in Paris around 1830 and shows the Bohemian ...
La donna è mobile. " La donna è mobile " (pronounced [la ˈdɔnna ˌɛ mˈmɔːbile]; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi 's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate 's performance of the bravura aria at the opera's 1851 premiere was ...
Sebben, crudele. "Sebben, crudele" is an aria from Antonio Caldara 's 1710 opera, La costanza in amor vince l'inganno (Faithfulness in love conquers treachery). It comes from the third scene of the opera's first act, and is sung by the character Aminta, a nobleman whose wife is unfaithful. [ 1 ]