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Carlo Scarpa (2 June 1906 – 28 November 1978) was an Italian architect and designer. He was influenced by the materials, landscape, and history of Venetian culture, as well as that of Japan. [ 1 ] Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and ...
On the first floor is the museum's most famous work, the Virgin Annunciate, by Antonello da Messina (15th century), considered a masterpiece of High Renaissance paintings. Also present are three panels with St. Augustine , St. Gregory the Great and St. Jerome also by Antonello, once part of a polyptych now destroyed, and Vouet's Saint Agatha's ...
The museum has a substantial art collection, specially of masterpieces of Venetian Baroque and Rococo, including paintings by Giovanni Bellini (Presentation at the Temple), Pietro Longhi, Giandomenico Tiepolo, Giulio Carpioni, Federico Cervelli, Matteo Ghidoni, Pietro and Alessandro Longhi, Pietro Muttoni, (also called della Vecchia), and Marco and Sebastiano Ricci among others.
Carlo Scarpa executed many modernist projects throughout the Veneto region and particularly in Venice. Le Corbusier and Frank Lloyd Wright did not build anything in Italy, as opposed to Alvar Aalto (Santa Maria Assunta (Riola) Church of the Assumption in Riola, Vergato), Kenzo Tange (towers of Bologna Fair, the floor of Naples central business district (CDN)) and Oscar Niemeyer (home of ...
The following is a list of notable architects – well-known individuals with a large body of published work or notable structures, which point to an article in the English Wikipedia. This is a dynamic list and may never be able to satisfy particular standards for completeness.
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The collection of the museum, one of the most complete in the world, ranges from antiquity to 20th century works including realizations by the famous Barovier & Toso glass company and glass textiles designed by Carlo Scarpa in the late thirties. [5]
It was designed by Venetian architect Carlo Scarpa between 1968–1978 as an L-shaped 2,000 m 2 (22,000 sq ft) extension to the adjacent municipal cemetery. It is regarded as a masterpiece of post-modernist architecture and a powerful commemorative monument.