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Carlo Scarpa (2 June 1906 – 28 November 1978) was an Italian architect and designer. He was influenced by the materials, landscape, and history of Venetian culture, as well as that of Japan. [ 1 ] Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and ...
The "viewing device" of the pavilion of meditation suggests a vesica piscis, a recurring motif in Scarpa's architecture. [4] [5] Venetian influences such as the gold tiles familiar from Byzantine mosaics and Japanese influences such as the tea-room inspiration of the chapel are evident in the design. In the garden are a dense grove of cypresses ...
Scaliger Tombs Scaliger tombs The Scaliger tombs, located to the side of the church of Santa Maria Antica, just a few steps from the Piazza dei Signori, are a scenic and monumental funerary complex of the Scaliger family, intended to contain the remains of some of the illustrious representatives of the lineage, including that of the most famous Lord of Verona, Cangrande I della Scala, to whom ...
The temple has become one of the city's landmarks with the museum of the Gipsoteca Canoviana dedicated to the sculptor and built around his birthplace, which houses various sketches and plaster casts of his famous works as well as many of his paintings. The extension of the plaster casts gallery was carried out by the architect Carlo Scarpa.
The museum has a substantial art collection, specially of masterpieces of Venetian Baroque and Rococo, including paintings by Giovanni Bellini (Presentation at the Temple), Pietro Longhi, Giandomenico Tiepolo, Giulio Carpioni, Federico Cervelli, Matteo Ghidoni, Pietro and Alessandro Longhi, Pietro Muttoni, (also called della Vecchia), and Marco and Sebastiano Ricci among others.
Restoration by the architect Carlo Scarpa between 1959 and 1973 has enhanced the appearance of the building and exhibits. Scarpa's architectural style is visible in the details for doorways, staircases, furnishings, and even fixtures designed to hold a specific piece of artwork. The renovation carefully balanced new and old, revealing the ...
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On the first floor is the museum's most famous work, the Virgin Annunciate, by Antonello da Messina (15th century), considered a masterpiece of High Renaissance paintings. Also present are three panels with St. Augustine , St. Gregory the Great and St. Jerome also by Antonello, once part of a polyptych now destroyed, and Vouet's Saint Agatha's ...