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One of the manuscript copies of BWV 582, first page. Passacaglia and Fugue in C minor (BWV 582) is an organ piece by Johann Sebastian Bach.Presumably composed early in Bach's career, it is one of his most important and well-known works, and an important influence on 19th- and 20th-century passacaglias: [1] Robert Schumann described the variations of the passacaglia as "intertwined so ...
Organ Works (Bach, Johann Sebastian), Orgelwerke (Bach, Johann Sebastian): Scores at the International Music Score Library Project. Accessed: 09:23, 3 April 2016 (UTC). James Kibbie – Bach Organ Works: free downloads of the complete organ works of Johann Sebastian Bach, recorded by James Kibbie on original baroque organs in Germany. Accessed ...
One of the best known examples of the passacaglia in Western classical music is the Passacaglia and Fugue in C minor, BWV 582, for organ by Johann Sebastian Bach. The French clavecinists , especially Louis Couperin and his nephew François Couperin , used a variant of the form—the passacaille en rondeau —with a recurring episode between the ...
Although this is an organ composition transcribed for piano, I think such transcriptions are common and this may even get the support of some purists. I am nominating both the audio and the video. This file adds significantly to the following articles: Awadagin Pratt; Passacaglia and Fugue in C minor, BWV 582; East Room (White House) Nominate ...
The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis. In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). [3]
What Do We Make of Bach? for obbligato organ and orchestra (2018) Haydn, Franz Joseph. Concerto Hob. XVIII:1 in C major for organ (or harpsichord) and orchestra (1756) Concerto Hob. XVIII:2 in D major for organ (or harpsichord) and orchestra (1767) Concerto Hob. XVIII:6 in F major for violin and organ (or harpsichord) with string orchestra (1766)
The individual pieces are short versets in various typical forms of the French organ school: duos, trios, dialogues, fugues, récits, etc.; some are expressly labelled as such, others are not. Somewhat unusual for French music of the era are two ostinato variations – a passacaglia ( Christe of the Messe du Deuxième ton ) and a chaconne ...
Naxos (series The Organ Encyclopedia), 2013, Catalog No. 8.572913. [11] Finally, Walcha's completion of "Contrapunctus 18 (Fuga a 4 Soggetti)", i.e. the last fugue of Bach's The Art of Fugue, was recorded by Walcha himself for his stereo cycle of Bach's complete organ works, and again by his former pupil George Ritchie: J. S. Bach: The Organ Works.