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The wearing of beadwork among the various Manobo tribes is culturally very important. The number, colors, and patterns vary by tribe and by status. The largest type of bali-og is a women's necklace known as ginibang. Its name means "monitor lizard" due to the resemblance of the patterns to monitor lizard scales. [1] [2] [3]
Techniques for making and using beads have been in place long before that with beads made from bone, clay, stone, coral, turquoise, pyrite, jade and seeds. [1] Huichol art was first documented in the very late 19th century by Carl Lumholtz. This includes the making of beaded earrings, necklaces, anklets and even more. [1]
By the 1920s bead crochet technique also made necklace ropes, bracelets, and beaded bags. Bead crochet waned during the 1930s when the Great Depression reduced free time for decorative needlework and as inexpensive manufactured goods became more readily available. Interest in bead crochet has revived somewhat in recent years as a hobbyist pastime.
Modern beaded flowers, yellow made in the French beading technique and pink in the Victorian beading technique. Today, beadwork is commonly practiced by jewelers, hobbyists, and contemporary artists; artists known for using beadwork as a medium include Liza Lou, Ran Hwang, Hew Locke, Jeffery Gibson, and Joyce J. Scott.
By 1500 BC, the peoples of the Indus Valley were creating gold earrings and necklaces, bead necklaces, and metallic bangles. [citation needed] Before 2100 BC, prior to the period when metals were widely used, the largest jewellery trade in the Indus Valley region was the bead trade. Beads in the Indus Valley were made using simple techniques.
Bead stringing is the putting of beads on string. A pair of beaded necklaces. It can range from simply sliding a single bead onto any thread-like medium (string, silk thread, leather thong, thin wire, multi-stranded beading wire, or a soft, flexible wire) to complex creations that have multiple strands or interwoven levels. The choice of ...