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  2. The best planners of 2025 - AOL

    www.aol.com/lifestyle/best-planners-120059295.html

    If you keep a planner, it's time to buy one for 2025. We've tracked down the year's best planners from Amazon, Rifle Paper Co., Plum Paper, and more.

  3. Rega Planar 3 - Wikipedia

    en.wikipedia.org/wiki/Rega_Planar_3

    The Rega Planar 3 turntable, shown here without its felt mat. The RB300 arm fitted has a non-standard counterweight. The Rega Planar 3, together with its successors, the P3 and RP3, is a well-known budget audiophile turntable by British hi-fi manufacturer, Rega Research available since 1977. It was a belt-drive deck that broke from convention ...

  4. Slipmat - Wikipedia

    en.wikipedia.org/wiki/Slipmat

    A slipmat is a circular piece of slippery cloth or synthetic materials disk jockeys place on the turntable platter instead of the traditional rubber mat. Unlike the rubber mat which is made to hold the record firmly in sync with the rotating platter, slipmats are designed to slip on the platter, allowing the DJ to manipulate a record on a ...

  5. Technics SL-1200 - Wikipedia

    en.wikipedia.org/wiki/Technics_SL-1200

    Most users remove the rubber turntable mat and replace it with a slipmat for mixing. However, without the rubber mat, the platter is prone to resonance at 250 Hz when used near a large club sound system. The drive system designed by Matsushita is direct-drive rather than the more commonly found belt-drive type, a less expensive design. The ...

  6. Belt-drive turntable - Wikipedia

    en.wikipedia.org/wiki/Belt-drive_turntable

    The functional relationship between the drive belt, sub-platter, and motor pulley, can be seen through the glass platter on a Rega Planar 3.. There are three main types of phonograph turntable drives being manufactured today: the belt-drive, idler-wheel and direct-drive systems; the names are based upon the type of coupling used between the platter of the turntable and the motor.

  7. Scratching - Wikipedia

    en.wikipedia.org/wiki/Scratching

    Whereas the 1940s–1960s radio DJs had used back-cueing while listening to the sounds through their headphones, without the audience hearing, with scratching, the DJ intentionally lets the audience hear the sounds that are being created by manipulating the record on the turntable, by directing the output from the turntable to a sound ...