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"Electric Boogie" (also known as the "Electric Slide") is a dance song written by Bunny Wailer in response to his hearing the Eddy Grant song "Electric Avenue" in 1982. The song provided the basis for the success of dance fad called Electric Slide. [1] [2] According to Marcia Griffiths, "Electric Boogie" was written for her by Bunny Wailer in 1982.
The original choreography has 22 steps, [5] but variants include the Freeze (16-step), Cowboy Motion (24-step), Cowboy Boogie (24 step), and the Electric Slide 2 (18-step). The 18-step variation became popular in 1989 and for ten years was listed by Linedancer Magazine as the number-one dance in the world.
Anthony was born to an Italian family in Bentleyville, Pennsylvania, but moved with his family to Cleveland, Ohio, where he studied the trumpet.He played in Glenn Miller's band from 1940 to 1941 [2] and appeared in the Glenn Miller movie Sun Valley Serenade before joining the U.S. Navy during World War II as Miller joined the Army, organizing another famous military band before his 1944 ...
Legendary bandleader Ray Anthony, who made his bones with the Glenn Miller Orchestra and worked with Marilyn Monroe, turned 100 on Jan. 20. ... His contributions to the lost art of the boogie ...
Gary Glitter – "Give a Little Boogie Woogie in the Back of My Mind" Les Gray – "A Groovy Kind of Love" Heatwave – "Boogie Nights" Hot Chocolate – "So You Win Again" Thelma Houston – "Don't Leave Me This Way" The Jacksons – "Show You the Way to Go" The Jam – "In the City", "All Around the World", "The Modern World"
The Tractors were an American country rock band composed of a loosely associated group of musicians headed by guitarist Steve Ripley.The original lineup consisted of Steve Ripley (lead vocals, guitar), Ron Getman (guitar, Dobro, mandolin, tenor vocals), Walt Richmond (keyboards, piano, bass vocals), Casey van Beek (bass guitar, baritone vocals), and Jamie Oldaker (drums).
The Baldry album features his biggest U.S. hit, "Don't Try to Lay No Boogie-Woogie on the King of Rock and Roll"; Baldry once noted how Stewart's loose and late-night recording sessions affected the tracks, "especially those recorded on my thirtieth birthday when he showed up with cases of Remy Martin cognac and several measures of good quality ...
This recording was made in 1928, and its lyrics are exclusively instructions to dancers in the audience, as was traditional at the time. Musically, it is strikingly similar to the previous year's hit, "Honky Tonk Train Blues", by Meade Lux Lewis, [2] which like "Pinetop's Boogie Woogie" went on to become a standard recorded many times by many artists.