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The linen undergarments symbolized the abolition of the distinction between the heavenly and the mortal part of man, as contrasted with the divine nature, which is absolutely holy and living. [7] According to the Talmud , the undergarments atone for the sin of sexual transgressions on the part of the Children of Israel (B. Zevachim 88b).
[2] [3] It may also be observed that linen is a product of a riverine agricultural economy, such as that of the Nile Valley, while wool is a product of a desert, pastoral economy, such as that of the Hebrew tribes. Mixing the two together symbolically mixes Egypt and the Hebrews.
The clothing of the people in biblical times was made from wool, linen, animal skins, and perhaps silk. Most events in the Hebrew Bible and New Testament take place in ancient Israel , and thus most biblical clothing is ancient Hebrew clothing.
Priestly sash (Hebrew avnet, sash): that of the high priest was of fine linen with "embroidered work" in blue and purple and scarlet (Exodus 28:39, 39:29); those worn by the priests were of white, twined linen. Priestly turban (Hebrew mitznefet): that of the high priest was much larger than that of the priests and wound so that it formed a ...
High Priest of Israel wearing the sacred vestments. The ephod is depicted here in yellow. An ephod (Hebrew: אֵפוֹד, romanized: ʾēp̄ōḏ; / ˈ ɛ f ɒ d / or / ˈ iː f ɒ d /) was a type of apron that, according to the Hebrew Bible, was worn by the High Priest of Israel, an artifact and an object to be revered in ancient Israelite culture, and was closely connected with oracular ...
Tachrichim. Tachrichim (Hebrew: תכריכים) are traditional simple white burial furnishings, usually made from 100% pure linen, in which the bodies of deceased Jews are dressed by the Chevra Kadisha, or other burial group, for interment after undergoing a taharah (ritual purification).
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Closely related to the Sephardi pronunciation is the Italian pronunciation of Hebrew, which may be regarded as a variant. In communities from Italy, Greece and Turkey, he is not realized as [h] but as a silent letter because of the influence of Italian, Judaeo-Spanish and (to a lesser extent) Modern Greek, all of which lack the sound.