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Sacred Harp and Related Shape-Note Music Resources – an extensive site of resources concerning Sacred Harp, other Shape-Note music, Gallery music, etc. Singing with Sol-fa Syllables Archived 25 September 2004 at the Wayback Machine – article about singing schools and shape notes; The Shape of Music – book on teaching small children ...
They included both music and text and were introduced by an extended essay on the rudiments of singing. Each song was known by the name given to its tune rather than by a title drawn from the text." [1] The following is a partial list of the shape note tunebooks published over the last two centuries. The list is divided according to the two ...
See also the bibliographic entries under Shape note. Campbell, Gavin James (1997) " 'Old Can Be Used Instead of New': Shape-Note Singing and the Crisis of Modernity in the New South, 1880–1920." Journal of American Folklore 110:169–188. Cobb, Buell E. (1989). The Sacred Harp: A Tradition and Its Music. University of Georgia Press.
Solfège table in an Irish classroom. Tonic sol-fa (or tonic sol-fah) is a pedagogical technique for teaching sight-singing, invented by Sarah Anna Glover (1786–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems.
Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions, all of them rooted in the Southern United States .
It was a collection of songs notated by shape notes and featuring four-part harmonies. Shape-note singing had been taught by preachers and missionaries during the second Great Awakening, as a way of evangelizing to people on the frontier and in rural areas. They would collect at camp meetings and spend considerable time singing these hymns.
The annual all-day singing from the Shenandoah Harmony at Cross Keys typically ends by singing Davisson's "Retirement" at the graveside of the composer.. The Shenandoah Harmony is a 2013 republication of the works of Ananias Davisson (1780–1857) and other composers of his era, in the format used by modern shape note singing groups.
An 1847 publication of Southern Harmony, showing the title "New Britain" ("Amazing Grace") and shape note music. Play ⓘ. The roots of Southern Harmony singing, like the Sacred Harp, are found in the American colonial era, when singing schools convened to provide instruction in choral singing, especially for use in church services.