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"Basket Case" is a song by rock band Green Day, released on August 1, 1994 by Reprise Records as the second single from the band's third studio album, Dookie (1994). The song spent five weeks at the top of the US Billboard Alternative Songs chart and garnered a Grammy Award nomination in the category for Best Rock Vocal Performance by a Duo or ...
"When I Come Around" is a song by American rock band Green Day. It is the 10th track on their third studio album, Dookie (1994), and was shipped to radio in December 1994 before being physically released as the fourth single from that album in January 1995 [9] by Reprise Records.
"Basket Case" (song), a 1994 song by Green Day "Basketcase", a 1994 song by Compulsion "Basket Case", a song by Danger Doom from their 2005 album, The Mouse and the Mask ...
The song was the ninth-highest-selling single of the 2000–2009 decade with worldwide sales exceeding 5 million copies. [2] As of 2021, "Boulevard of Broken Dreams" is the only song to win both the Grammy Award for Record of the Year and MTV Video Music Award for Video of the Year. It remains one of Green Day's signature songs.
"Good Day", despite its commercial failures, has received generally positive feedback from critics. AllMusic's Stephen Thomas Erlewine cited the track as a highlight from the Word of Mouth disc of the compilation album, The Arista Years (which is a box set of all Kinks albums released on the Arista label) despite not doing so in his review of Word of Mouth.
Lyrically, the song is about a day spent sitting around the house, doing absolutely nothing of importance and masturbating until the days are no longer fun. Bassist Mike Dirnt has stated that the famous bass line intro to this song was written one night while he was high on LSD. [9] The song is named after the city of Longview, Washington. [10]
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Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]