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Autumn Leaves" offers a popular way for beginning jazz musicians to become acquainted with jazz harmony as the chord progression consists almost solely of ii–V–I and ii–V sequences which are typical of jazz. Although it is mostly played in G minor, the original key of the composition was A minor. [2]
The title track finds Abercrombie using the differing tonal qualities of his guitar's open strings to give the melody a unique interpretation. The sole original on the record, "Fall Colours" (credited to both writers, although the Canadian spelling may reveal the true author), is based on the standard "Autumn Leaves." Abercrombie sounds fine ...
For example, the jazz standard "Autumn Leaves" contains the iv 7 –VII 7 –VIM 7 –ii ø 7 –i circle-of-fifths chord progression; [83] its sevenths occur in the tertian harmonization in sevenths of the minor scale. [84]
Crazy and Mixed Up is a 1982 studio album by the American jazz singer Sarah Vaughan. [ 1 ] Vaughan was nominated for the Grammy Award for Best Jazz Vocal Performance, Female at the 26th Annual Grammy Awards for her performance on this album.
Many jazz musicians have found this particularly challenging as the middle eight progresses so rapidly through the circle, "creating a series of II–V–I progressions that temporarily pass through several tonalities." [23] Kosma, Prévert and Mercer, "Autumn Leaves" [24] The Beatles, "You Never Give Me Your Money" [25] [non-primary source needed]
Although Greene is often regarded as a jazz musician, he played many musical styles. He was known to guitarists for his role as a music educator, which included private teaching, seminars at the Guitar Institute of Technology, columns for Guitar Player magazine, and his instructional books on harmony, chord melody, and single-note soloing.
Wilton Jameson "Jamey" Aebersold (born July 21, 1939) is an American publisher, educator, and jazz saxophonist. His Play-A-Long series of instructional books and CDs, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. [1]
Four years later she moved to Chicago and made her first album, Never Let Me Go (1994), for the Lake Shore Jazz record label. Her sidemen were pianist Brad Williams, saxophonist Edward Petersen, and bassist Larry Gray. [4] She got to know pianist Judy Roberts, and they eventually made two albums together, Santa Baby and Autumn Leaves.