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Jean-Baptiste Lully [a] (28 November [O.S. 18 November] 1632 – 22 March 1687) was a French composer, dancer and instrumentalist of Italian birth, who is considered a master of the French Baroque music style.
Pages in category "Operas by Jean-Baptiste Lully" The following 15 pages are in this category, out of 15 total. ... Proserpine (Lully) Psyché (opera) R.
Alceste, ou Le triomphe d'Alcide is a tragédie en musique in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Euripides' Alcestis. It was first performed on 19 January 1674 at the Théâtre du Palais-Royal by the Paris Opera.
Lully's Armide at the Palais-Royal Opera House in 1761, watercolor by Gabriel de Saint-Aubin. Armide is an opera in five acts by Jean-Baptiste Lully. The libretto by Philippe Quinault is based on Torquato Tasso's poem La Gerusalemme liberata (Jerusalem Delivered). The work is in the form of a tragédie en musique, a genre invented by Lully and ...
Atys is a tragédie en musique, an early form of French opera, in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault after Ovid's Fasti.It was premiered for the royal court on 10 January 1676 [1] by Lully's Académie Royale de Musique (Paris Opera) at the Château de Saint-Germain-en-Laye.
Jean Baptiste Lully around 1670. This article contains a list of the works of Jean-Baptiste Lully (LWV); also lists of the dance-forms and instruments he frequently was to use. Works by Lully ( Lully-Werke-Verzeichnis )
Phaëton (LWV 61) is a tragédie en musique in a prologue and five acts by Jean-Baptiste Lully. Philippe Quinault wrote the French libretto after a story from Ovid's Metamorphoses. It can be read as an allegorical depiction of the punishment awaiting those mortals who dare to raise themselves as high as the "sun" (i.e. the Sun King).
Roland (title page) Roland is an opera with music by Jean-Baptiste Lully and a libretto by Philippe Quinault.It was first performed on January 8, 1685, at the Palace of Versailles by the Académie Royale de Musique (Paris Opera) and later, beginning on March 8, 1685, at the company's public theatre in Paris, the Théâtre du Palais-Royal.