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"Trust" is a song by American heavy metal band Megadeth from their seventh studio album, Cryptic Writings. It was released on May 8, 1997 in both English and Spanish language versions. It was released on May 8, 1997 in both English and Spanish language versions.
"State of Love and Trust" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music co-written by guitarist Mike McCready and bassist Jeff Ament , "State of Love and Trust" first appeared on the soundtrack to the 1992 film, Singles .
"Antisocial" is a song by the French hard rock band Trust, from their album Répression. The song was written by Bernie Bonvoisin and Norbert Krief.. Unusually for a hard rock track, it was played on mainstream radio stations RTL and France Inter, helping the album sell over 800,000 copies in 1980.
"Trust in God" is a song performed by American contemporary worship band Elevation Worship featuring Chris Brown. On April 28, 2023, it impacted Christian radio stations in the United States as the second single from their eleventh live album, Can You Imagine?
The lyrics to "'Tis So Sweet to Trust in Jesus" were written by Louisa M. R. Stead. Stead was born in Dover, England in 1850 and she converted to Christianity at the age of nine. [ 2 ] In 1871, at the age of 21, she immigrated to the United States , residing in Cincinnati, Ohio .
"Can I Trust You With My Heart" is a song co-written and recorded by American country music singer Travis Tritt. It was released in November 1992 as the second single released his CD T-R-O-U-B-L-E. The song reached the top of the Billboard Hot Country Singles & Tracks (now Hot Country Songs) chart. The song was written by Tritt and Stewart Harris
Cryptic Writings is the seventh studio album by American heavy metal band Megadeth.Released on June 17, 1997, through Capitol Records, [2] it was the band's last studio album to feature drummer Nick Menza.
"Trust Issues" is an R&B song that examines the suffering and ambiguity that result from negotiating the complexities of interpersonal relationships. [11] Chris Coplan of Consequence described it as "half confessional, half ode to drank", [ 12 ] and Singersroom described stated that it intensifies to a powerful conclusion as Drake's vocals soar ...