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A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Mavo (often styled MaVo or MAVO) was a radical Japanese art movement of the 1920s. Founded in 1923, Mavo was productive during the late TaishÅ period (1912–26). Mavo re-instituted the Japanese Association of Futurist Artists, the anarchistic artist group who displayed an outdoor exhibit in Ueno Park in Tokyo in protest of conservatism in the ...
NO!art is a radical avant-garde anti-art movement started in New York in 1959. Its founders sought to deliver a shock to the complacent consumerist society around them. [1] The movement was initiated by Boris Lurie, Sam Goodman and Stanley Fisher who had come together to organise exhibitions at the March Gallery. They gave the name NO!Art to ...
Tachisme is closely related to Informalism or Art Informel, which, in its 1950s French art-critical context, referred not so much to a sense of "informal art" as "a lack or absence of form itself"–non-formal or un-form-ulated–and not a simple reduction of formality or formalness.
Where asemic writing distinguishes itself among traditions of abstract art is in the asemic author's use of gestural constraint, and the retention of physical characteristics of writing such as lines and symbols. Asemic writing is a hybrid art form that fuses text and image into a unity, and then sets it free to arbitrary subjective ...
Ternary form – three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A), usually schematized as A–B–A. Strophic form – song structure in which all verses or stanzas of the text are sung to the same music.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The Grupo Madí was one of two prominent groups of artists pursuing abstract art in Argentina. The other was Arte Concreto-Invencíon, or AACI, founded in 1945. [5] The Madí art movement formed as a reaction to the AACI, whose art was perceived by the Madí group as being too strict in their method of creating concrete art, resulting in a lack of expression in their artworks.