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Nature printing is a printing process, developed in the 18th century, that uses the plants, animals, rocks and other natural subjects to produce an image. The subject undergoes several stages to give a direct impression onto materials such as lead, gum, and photographic plates, which are then used in the printing process.
Alois Auer (11 May 1813 – 10 July 1869) was an Austrian printer, inventor and botanical illustrator, most active during the 1840s and 1850s. He produced a number of works in German and other languages, including the first regarding the nature printing process.
The printing cylinders are usually made from copper plated steel, which is subsequently chromed, and may be produced by diamond engraving; etching, or laser ablation. Gravure printing is known for its ability to produce high-quality, high-resolution images with accurate color reproduction and using viscosity control equipment during production.
Bradbury is known for his book The Ferns of Great Britain and Ireland with author Thomas Moore and editor John Lindley published in 1855. It used the innovative technique of nature printing invented by Alois Auer and Andreas Worring in 1852 and improved by Bradbury.
An anthotype (from Greek άνθος anthos "flower" and τύπος týpos "imprint", also called Nature Printing) is an image created using photosensitive material from plants under the influence of light (e.g. UV light, rays of sun). [1] An emulsion [2] [3] is made from crushed flower petals or any other light-sensitive plant, fruit or vegetable.
Woodcut is a relief printing artistic technique in printmaking in which an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with gouges. The areas to show 'white' are cut away with a knife or chisel, leaving the characters or image ...
Gyotaku (魚拓, from gyo "fish" + taku "stone impression", fish print(ing)) is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing , where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art ...
Alois Auer, in his 1853 book on nature printing, describes making printing plates by forcibly impressing soft low-relief objects, such as leaves, into sheets of lead. The ancient Egyptians made molds and used them to mass-produce small ceramic goods.