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What Brazilian art then became was a mix of some important achievements of the Moderns, meaning freedom from the strict academic agenda, with more conventional traits, giving birth in the following generation to a moderate Modernism, best exemplified by painter Cândido Portinari, who was something like the official painter of the Brazilian ...
Modernism in Brazil was a broad cultural movement that strongly affected the art scene and Brazilian society in the first half of the 20th century, especially in the fields of literature and the plastic arts.
The movement's emphasis on art clashed with the media's need for mass appeal and marketability. Tropicália additionally had an image of sensuality and flamboyance. This was a protest to the reinstated oppression of Brazil's military rule in the 1960s, and an additional cause for media pushback.
Image at center is a contour line drawing by Brazilian artist Tarsila do Amaral of her 1928 painting Abaporu. The Manifesto Antropófago (or Manifesto Antropofágico) was a statement published in 1928 by the Brazilian poet and polemicist Oswald de Andrade, an important figure in the cultural movement of Brazilian modernism.
The Neo-Concrete Movement (1959–1961) was a Brazilian art movement, a group that splintered off from the larger Concrete Art movement prevalent in Latin America and in other parts of the world. The Neo-Concretes emerged from Rio de Janeiro’s Grupo Frente. They rejected the pure rationalist approach of concrete art and embraced more ...
The Modern Art Week (Portuguese: Semana de Arte Moderna) was an arts festival in São Paulo, Brazil, that ran from 10 February to 17 February 1922. Historically, the Week marked the start of Brazilian Modernism ; though a number of individual Brazilian artists were doing modernist work before the week, it coalesced and defined the movement and ...
The Tropicalismo Movement was a creative and artistic movement that began in Brazil towards the end of the 1960s. Oiticica played a huge role in defining the movement. The Movement emphasized music and art meant to celebrate Brazilian culture and identity. [12]
The Brazilian Belle Époque, also known as the Tropical Belle Époque or Golden Age, is the South American branch of the French Belle Époque movement (1871-1914), based on the Impressionist and Art Nouveau artistic movements.