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After the Cuban Revolution of 1959, there were many efforts by the government to institutionalize rumba, which has resulted in two different types of performances. The first was the more traditional rumba performed in a backyard with a group of friends and family without any type of governmental involvement.
The word rumba is an abstract term that has been applied with different purposes to a wide variety of subjects for a very long time. From a semantic point of view, the term rumba is included in a group of words with similar meaning such as conga, milonga, bomba, tumba, samba, bamba, mambo, tambo, tango, cumbé, cumbia and candombe. All of them ...
In the late 1930s and early 1940s, a fusion of bambuco and Afro-Cuban music was developed in Colombia by artists such as Emilio Sierra, Milciades Garavito, and Diógenes Chaves Pinzón, under the name rumba criolla (creole rumba). [19] Rumba criolla is classified into different regional styles such as rumba antioqueña and rumba tolimense. [20]
Rumba clave is the key pattern used in Cuban rumba. The use of the triple-pulse form of the rumba clave in Cuba can be traced back to the iron bell ( ekón ) part in abakuá music. The form of rumba known as columbia is culturally and musically connected with abakuá which is an Afro Cuban cabildo that descends from the Kalabari of Cameroon.
La técnica cubana, often abbreviated as técnica, is a form of Cuban contemporary dance that was founded by Ramiro Guerra Suarez in Cuba in 1959. [1] Unlike other forms of traditional Cuban dance, técnica fuses many different dance forms together, such as those from Africa, Europe, and North America. It is a highly expressive and robust dance ...
A basic form of the secondary resolution quinto phrase. Havana born Mongo Santamaría (1917-2003) was a tremendous quintero, and at one time, the most famous conga drummer in the world. He was one of the first to record traditional rumba: Afro-Cuban Drums (1952), Changó (1954), Yambú (1958), Mongo (1959), and Bembé (1960). Santamaría's ...
Renaissance art largely excluded Black people, even as it emerged during the early phases of the transatlantic slave trade which ultimately brought 10.7 million African men, women and children to ...
As a genre, tahona is considered a style of Cuban rumba, and together with yambú it is one of the oldest. [3] However, it differs from the canonical rumba styles in the fact that it developed in the eastern part of Cuba, the Oriente Province , due to the immigration of Haitian slaves following the Haitian Revolution of the 1790s.