Ads
related to: b flat major ukulele chord
Search results
Results From The WOW.Com Content Network
The song was written in the key of B-flat major and is played in 4/4 common time, popularly known at the time as a foxtrot. Ukulele arrangements are in G major. The main body of the song is built upon two common chord progressions (not including fills). The first is 1-2-5-1, which in Bb walks up from Bb to C7 to F7, resolving back to Bb.
B-flat major is a major scale based on B ... The scale degree chords of B-flat major are: Tonic – B-flat major; Supertonic – C minor; Mediant – D minor;
Suspended chord: M3+d5: Major third, flat five: Just: Just intonation: Bitonal: Bitonal chord: Atonal: Atonal chord: List of musical chords Name Chord on C Sound # of ...
the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
B Flat notes. B ♭ (B-flat), or, in some European countries, B, is the eleventh step of the Western chromatic scale (starting from C).It lies a diatonic semitone above A and a chromatic semitone below B, [1] thus being enharmonic to A ♯, even though in some musical tunings, B ♭ will have a different sounding pitch than A ♯.
Half-diminished chord inversions Half-diminished chord inversions. In diatonic harmony, the half-diminished seventh chord occurs naturally on the seventh scale degree of any major scale (for example, B ø 7 in C major) and is thus a leading-tone seventh chord in the major mode. [3]
After a reprise of the main theme, a third and much more subdued theme is introduced. It is quite tonally ambiguous and its mysterious mood is in total contrast with the rest of the piece. The main theme returns for a final time and the piece ends on a B-flat major chord marked forte. It takes a little under three minutes to perform. [1]
In the first two bars, it uses a four-note sequence which drops by a third every half-bar. This period ends with a perfect cadence in dominant key of F major. The second period uses a fantasia style and alternates between chords and scale progressions. The coda in bar 20 uses an extended arpeggio in the tonic that confirms the key of B-flat major.