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The A-roll and B-roll scenes, shot at 24 frames per second, were converted to the television frame rate of 30 fps using a telecine system consisting of two film projectors, one showing the main A-roll footage and the other showing the B-roll. The sound from the A-roll footage was used, or sound from narration or voiceover, while MOS images from ...
Rock & Roll (U.S. title) or Dancing in the Street: a Rock and Roll History (U.K. title) is a 10-part American-British television documentary series about the history of rock and roll music produced by the BBC and WGBH, and which screened in 1995 on PBS in the United States and on BBC Two in the United Kingdom during 1996.
Actuality film is a non-fiction film genre that uses footage of real events, places, and things (essentially B-roll), a predecessor to documentary film. Unlike documentaries, actuality films are not structured into a larger narrative or coherent whole.
Alex Ross Perry’s Pavements is a rock and roll documentary that breaks convention with its creative blend of formats, celebrating the influential indie band Pavement. Through a mix of fiction ...
Hail! Hail! Rock 'n' Roll is a 1987 American documentary film directed by Taylor Hackford that chronicles two 1986 concerts celebrating rock and roll musician Chuck Berry's 60th birthday. A soundtrack album was released in October 1987 on the MCA label. The name comes from a line in Berry's song "School Days".
CANTON − The popular genres of true crime and rock 'n' roll documentaries converge in a film about Myles Connor Jr., Milton's notorious rocker turned bank robber and art thief.
The History of Rock & Roll is an American radio documentary on rock and roll music, first syndicated in 1969. Originally one of the lengthiest documentaries of any medium (48 hours in the 1969 version, 52 hours each for the 1978 and 1981 versions), [1] The History of Rock & Roll is a definitive history of the Rock and Roll genre, stretching from the early 1950s to the present day.
Sex, drugs, and rock ‘n’ roll has been the lifeblood of our free culture for 50 years. In its overly institutionalized way, it’s probably more unhinged now than it was then.