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Horus, god of the sky whose right eye was considered to be the Sun and his left the Moon; Khepri, god of the rising Sun, creation and renewal of life; Ptah, god of craftsmanship, the arts, and fertility, sometimes said to represent the Sun at night; Ra, god of the Sun; Sekhmet, goddess of war and of the Sun, sometimes also plagues and creator ...
Hans Christian Andersen's 1838 "The Galoshes of Fortune": the magic shoes take a watchman to the Moon, which he finds terrible. Illustration by Helen Stratton. Pan Twardowski, a sorcerer who made a deal with the Devil [3] in Polish folklore and literature, is depicted as having escaped from the Devil who was taking him to Hell and ending up living on the Moon, his only companion being a spider ...
Moon Deity (Ibaloi mythology): the deity who teased Kabunian for not yet having a spouse [8] Delan (Bugkalot mythology): deity of the moon, worshiped with the sun and stars; congenial with Elag; during quarrels, Elag sometimes covers Delan's face, causing the different phases of the moon; giver of light and growth [9]
"The Wind from the Sun") depicts a race to the Moon between solar sail-propelled spacecraft. [5] [6] [60] [62] Robert A. Heinlein had earlier written about a proto-variation on the concept using an inertialess drive. [60] The 1990 anthology Project Solar Sail edited by Clarke and David Brin collects various stories and essays about solar sails ...
The Moon wanes and crumbles, causing the Temple to go out of control and fall into the Underworld, where Mune, Sohone and Glim are. Mune and Glim take care of the Moon while Sohone dives into the Underworld to recover the Sun. Mune figures out that he can calm the Temple of the Moon by using his powers, inspiring Phospho, who had watched from afar.
Tsukuyomi-no-Mikoto (ツクヨミノミコト, 月読命), [1] or simply Tsukuyomi (ツクヨミ, 月読) or Tsukiyomi (ツキヨミ), [2] is the moon kami in Japanese mythology and the Shinto religion. The name "Tsukuyomi" is a compound of the Old Japanese words tsuku (月, "moon, month", becoming modern Japanese tsuki) and yomi (読み ...
Snow, Moon and Flowers (雪月花, setsu-getsu-ka or setsu gekka) is a Japanese expression and theme in art and design originating from a poem by Tang dynasty poet Bai Juyi. [1] It became popular in the late Edo period .
As the celestial embodiments of the moon and the sun, Taiyin Xingjun is considered to be the consort of Taiyang Xingjun. According to Wu Yingtao's Taiwanese Folklore (臺灣民俗), during the Mid-Autumn Festival in Taiwan, people offer mooncakes, sacrificial offerings, and rice vermicelli and taro to their ancestors and the land god .