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A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.
The warp tension needed on a loom is roughly proportional to yarn diameter, and loom weights must be positioned in an even, level row, with all the threads hanging nearly straight down, for smooth weaving. This means that the shape of a loom weight limits a loom to certain thread counts, and the mass of the loom weight is related to the yarn ...
In the manufacture of cloth, warp and weft are the two basic components in weaving to transform thread and yarn into textile fabrics. The vertical warp yarns are held stationary in tension on a loom (frame) while the horizontal weft (also called the woof) is drawn through (inserted over and under) the warp thread. [1]
Swivel weaving. The swivel weave is a weaving technique that incorporates a decorative element into the fabric by using small shuttles that insert additional weft thread around selected warp threads, while the main weft thread forms the fabric's structure. This method differs from the plain weave, which lacks this decorative aspect.
The shed, the triangular aperture on the far right, shown from the back of a table loom Passing the shuttle through the shed The shed shown in tablet weaving. In weaving, the shed is the temporary separation between upper and lower warp yarns through which the weft is woven. The shed is created to make it easy to interlace the weft into the ...
Weaving a small tapestry on a high-warp loom, 2022, New Zealand One of the tapestries in the series The Hunt of the Unicorn: The Unicorn is Found, circa 1495–1505, The Cloisters, Metropolitan Museum of Art, New York City. Tapestry is a form of textile art, traditionally woven by hand on a loom. Normally it is used to create images rather than ...
A table-top inkle loom was patented by Mr. Gilmore of Stockton, CA in the 1930s but inkle looms and weaving predate this by centuries. Inkle weaving was referred to 3 times in Shakespeare: in Love's Labour's Lost (Act III, Scene I), Pericles, Prince of Tyre (Act V), and in The Winter's Tale (Act IV, Scene IV). [6]
The jacquard loom used for weaving the tapestry was a hand-operated TC2 weaving loom [13] from Digital Weaving Norway. This loom was the latest technology in hand-woven jacquard design and allows the hand-weaver to create intricate and complex patterns by hand. The black and white cotton warp threads first had to be wound onto the loom.