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Consolation No. 4 is in D ♭ major and is initially marked Quasi adagio. Composed in 1849, [29] it is also known as the Stern-Consolation (Star Consolation) because of the six-pointed white star that appears on the printed score. [3] The Consolation was inspired by a Lied written by Maria Pavlovna, the Grand Duchess of Saxe-Weimar-Eisenach.
Čeština: Ferenc Liszt: skladba Consolations No. 3, Lento placido v podání klavíristy Benedicta Kramera (věk 17 let). English: Franz Liszt : Consolation No. 3, Lento placido , performed by pianist Benedict Kramer (age 17)
3 Études de concert (3): pf 1845–49 Piano, etude 144/1 A118/1 Il lamento: pf A ♭ major 1845–49 Piano, etude 144/2 A118/2 La leggierezza: pf F minor 1845–49 Piano, etude 144/3 A118/3 Un sospiro: pf D ♭ major 1845–49 Piano, etude 144/3a A118/3 Two additional cadenzas to Un Sospiro: pf D ♭ major 1848? Piano, etude renumbered from S ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
Howard, Leslie, Notes for Hyperion CDA66811/2, Liszt Dances and Marches, Leslie Howard, piano. Le Van, Eric, Notes for BMG-Arte Nova 74321 76809 2/ Oehms Classics OC 246. Complete Works for Cello and Piano. Guido Schiefen (cello); Eric Le Van (piano) Searle, Geoffrey, The Music of Liszt (New York: Dover Publications, Inc., 1966).
Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.
Franz Liszt's Piano Concerto No. 3 in E-flat major, Op. posth. , was possibly composed in 1839. It is believed that this piece was composed before the first two concertos, but the dating is inconclusive as there are claims it was not finished until 1847. Like his second piano concerto, it is a one-movement piece.
Fanny Mendelssohn's early collections of piano works opp. 2,6, and 8 are titled Lieder für das Pianoforte (Songs for the piano). Other composers who were inspired to produce similar sets of pieces of their own included Charles-Valentin Alkan (the five sets of Chants , each ending with a barcarolle ), Anton Rubinstein , Ignaz Moscheles and ...