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  2. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    The number of possible values that an integer bit depth can represent can be calculated by using 2 n, where n is the bit depth. [1] Thus, a 16-bit system has a resolution of 65,536 (2 16) possible values. Integer PCM audio data is typically stored as signed numbers in two's complement format. [2]

  3. Signal-to-noise ratio - Wikipedia

    en.wikipedia.org/wiki/Signal-to-noise_ratio

    Signal-to-noise ratio (SNR or S/N) is a measure used in science and engineering that compares the level of a desired signal to the level of background noise. SNR is defined as the ratio of signal power to noise power, often expressed in decibels. A ratio higher than 1:1 (greater than 0 dB) indicates more signal than noise.

  4. Effective number of bits - Wikipedia

    en.wikipedia.org/wiki/Effective_number_of_bits

    Effective number of bits (ENOB) is a measure of the real dynamic range of an analog-to-digital converter (ADC), digital-to-analog converter (DAC), or associated circuitry. . Although the resolution of a converter may be specified by the number of bits used to represent the analog value, real circuits however are imperfect and introduce additional noise and distor

  5. Quantization (signal processing) - Wikipedia

    en.wikipedia.org/wiki/Quantization_(signal...

    In either case, the standard deviation, as a percentage of the full signal range, changes by a factor of 2 for each 1-bit change in the number of quantization bits. The potential signal-to-quantization-noise power ratio therefore changes by 4, or 10 ⋅ log 10 ⁡ ( 4 ) {\displaystyle \scriptstyle 10\cdot \log _{10}(4)} , approximately 6 dB per ...

  6. Noise shaping - Wikipedia

    en.wikipedia.org/wiki/Noise_shaping

    This involves sampling the audio at a very high rate (2.8224 million samples per second, for example) but only using a single bit. Because only 1 bit is used, this converter only has 6.02 dB of dynamic range. The noise floor, however, is spread throughout the entire non-aliased frequency range below the Nyquist frequency of 1.4112 MHz. Noise ...

  7. Dynamic range - Wikipedia

    en.wikipedia.org/wiki/Dynamic_range

    Digital audio with undithered 20-bit quantization is theoretically capable of 120 dB dynamic range, while 24-bit digital audio affords 144 dB dynamic range. [6] Most Digital audio workstations process audio with 32-bit floating-point representation which affords even higher dynamic range and so loss of dynamic range is no longer a concern in ...

  8. Sampling (signal processing) - Wikipedia

    en.wikipedia.org/wiki/Sampling_(signal_processing)

    Audio is typically recorded at 8-, 16-, and 24-bit depth; which yield a theoretical maximum signal-to-quantization-noise ratio (SQNR) for a pure sine wave of, approximately; 49.93 dB, 98.09 dB, and 122.17 dB. [22] CD quality audio uses 16-bit samples. Thermal noise limits the true number of bits that can be used in quantization.

  9. Oversampling - Wikipedia

    en.wikipedia.org/wiki/Oversampling

    For instance, to implement a 24-bit converter, it is sufficient to use a 20-bit converter that can run at 256 times the target sampling rate. Combining 256 consecutive 20-bit samples can increase the SNR by a factor of 16, effectively adding 4 bits to the resolution and producing a single sample with 24-bit resolution. [3] [a]