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France renewed its dominance of the high fashion (French: couture or haute couture) industry in the years 1860–1960 through the establishing of the great couturier houses, the fashion press (Vogue was founded in 1892 in US, and 1920 in France) and fashion shows. French fashion, particularly haute couture, became a fixture of France's post-war ...
Galerie des Modes is a huge monument to the world of fashion. As highlighted in New for Now, the Galerie was circulated among a wide array of "fashion-conscious" audiences, both in France and abroad, and would ultimately go down in history as "the best and largest" fashion plate series of the eighteenth century. [15]
Anne de Beaujeu, Regent of France, in the ceremonial ermine-trimmed sideless surcoat and mantle of royalty, c. 1490s. The small cap worn with her coronet is a new French fashion of the last decade of the 15th century. Margaret of Austria wears a red velvet front-opening gown lined in ermine. Her hood has black velvet lappets and gold embroidery ...
During the early 18th century the first fashion designers came to the fore as the leaders of fashion. In the 1720s, the queen's dressmaker Françoise Leclerc became sought-after by the women of the French aristocracy, [4] and in the mid century, Marie Madeleine Duchapt, Mademoiselle Alexandre and Le Sieur Beaulard all gained national recognition and expanded their customer base from the French ...
As in the previous centuries, two styles of dress existed side-by-side for men: a short (knee-length) costume deriving from a melding of the everyday dress of the later Roman Empire and the short tunics worn by the invading barbarians, and a long (ankle-length) costume descended from the clothing of the Roman upper classes and influenced by Byzantine dress.
The jacket itself is in the longer fashion of the previous decade. [9] Marie de' Medici in widowhood wears black with a black wired cap and veil, c. 1620–21. Anne of Austria, Queen of France, wears an open bodice over a stomacher and virago sleeves, with a closed ruff. Note looser cuffs.
A painting of one of the era’s fashion icons Madame Fouler, completed by French painter Louis-Leopold Boilly in around 1810, shows the countess sporting a short hairdo that became known as the ...
Fashion in fourteenth-century Europe was marked by the beginning of a period of experimentation with different forms of clothing. Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable " fashion " in clothing, [ 1 ] in which Fernand Braudel concurs. [ 2 ]