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Breakbeat hardcore (also referred to as hardcore rave, oldskool hardcore or simply hardcore) is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop .
Jungle is a genre of electronic music that developed out of the UK rave scene and Jamaican sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop ...
Year Single Label Peak chart positions UK [2]AUS [3]US Dance [4]1991 "20,000 Hardcore Members" Kickin — — — "Prince of Darkness" / "I Am Evil" Deja Vu
Samples and interpolations of old songs in hip hop songs were common in the 1990s as a way to celebrate the end of the 2nd millennium and the 20th century by going retro. Many of the following songs include samples from older songs: " U Can't Touch This " by MC Hammer ; " Jump Around " by House of Pain ; " Mo Money Mo Problems " and " Big Poppa ...
Melodically, there is nothing that defines breakcore. Classic rave sounds such as acid bass lines, Hoovers and Reese bass are common, but breakcore is mostly known for sampling sounds from all over the musical spectrum to accommodate the frantic and fast-paced nature of the rhythm section. Around the turn of the century, more and more breakcore ...
The "rave" genre would develop into oldschool hardcore, which lead onto newer forms of rave music such as drum and bass, 2-step and happy hardcore as well as other hardcore techno genres, such as gabber and hardstyle. [30] Rave music is usually presented in a DJ mix set, although live performances are not uncommon. Styles of music include:
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago.The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, [1] an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986.
The albums listed here are included on at least four separate "best/greatest of the 1990s/all time" lists from different professional publications (inclusive of all genres and nationalities) as chosen by their editorial staffs or by a sample size of an entire publication's audience, and/or hall of fame awards and historical preservation measures.