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Pablo Picasso, 1901, Old Woman (Woman with Gloves), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art Le Gourmet, 1901, National Gallery of Art, Washington, D.C. Pedro Mañach, 1901, National Gallery of Art, Washington, D.C. Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow Pablo Picasso, 1901, Portrait de ...
In paintings, Mary is traditionally portrayed in blue. This tradition can trace its origin to the Byzantine Empire , from c. AD 500 , when blue was "the color of an empress". A more practical explanation for the use of this color is that in Medieval and Renaissance Europe , the blue pigment was derived from the rock lapis lazuli , a stone ...
Picasso's Blue Period began in late 1901, following the death of his friend Carlos Casagemas and the onset of a bout of major depression. [4] It lasted until 1904, when Picasso's psychological condition improved. The Rose Period is named after Picasso's heavy use of pink tones in his works from this period, from the French word for pink, which ...
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The Blue Period (Spanish: Período Azul) comprises the works produced by Spanish painter Pablo Picasso between 1901 and 1904. During this time, Picasso painted essentially monochromatic paintings in shades of blue and blue-green, only occasionally warmed by other colors. These sombre works, inspired by Spain and painted in Barcelona and Paris ...
Young Girl with a Flower Basket (French: Fillette à la corbeille fleurie or Jeune fille nue avec panier de fleurs or Fillette nue au panier de fleurs or Le panier fleuri) is a 1905 oil on canvas painting by Pablo Picasso from his Rose Period. The painting depicts a Parisian street girl, named "Linda", whose fate is unknown.
In this series of paintings about flowers (Vase with Cornflowers and Poppies, Vase with Pink Roses, Japanese Vase with Roses and Anemones) the influence of Japanese prints can be perceived, it is a theme that fascinated him during most of his artistic career and was very popular among the society of his time, which led him to eliminate the ...
In the Pink Peach Tree, center of the triptych, the bright pink in the painting has faded over time and looks more white than pink now. [12] Van Gogh wrote of his approach, perhaps due to the challenges of painting in the mistral winds, and use of color in painting the flowering tree like the Pink Peach Tree: