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The Baroque guitar (c. 1600 –1750) is a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string. The first (highest pitched) course sometimes used only a single string.
Rebours, Gérard. 2005. "The Baroque Guitar in France and Its Two Main Figures: Robert de Visée and François Campion”. Michaelsteiner Konferenzberichte 66:195–210. Strizich, Robert, and David Ledbetter. 2001. "Visée, Robert de". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell ...
Double guitar (5 double course) by Alexandre Voboam in Paris, 1690 (Nicholas) Alexandre Voboam (1634/46–1692/1704) was a French luthier from a renowned Parisian family of instrument makers. A total of 26 signed baroque guitars and two violas da gambas have been attributed to the Voboam family of which three guitars bear the signature of ...
Santiago de Murcia (c.1682 – c.1740, moved to Mexico, composed for Baroque guitar) Luys de Narváez (fl. 1526–49) Diego Pisador (1509/10 – after 1557) Lucas Ruiz de Ribayaz (born probably before 1650, composed for Baroque guitar) Gaspar Sanz (mid-17th century–early 18th century, composed for Baroque guitar) Enríquez de Valderrábano ...
Jean-Baptiste Voboam (1634/46–1692) was a French luthier known for making elaborately embellished baroque guitars. Voboam came from a family of luthiers who were active in Paris from 1640 until 1740. Tortoise and mother of pearl would be used for decorative oval motifs called godron.
A continuous bass was the rule in Baroque music; its absence is worth mentioning and has a reason, such as describing fragility. The specific character of a movement is often defined by wind instruments, such as oboe , oboe da caccia , oboe d'amore , flauto traverso , recorder , trumpet , horn , trombone , and timpani .
French: Occupation(s) guitarist and composer: Known for: baroque guitar: Antoine Carré was a baroque guitarist and composer. He published two books of guitar tablatures.
The early baroque guitar works of Granata are characterized by their French organization of dance suites (allemande, courante, and sarabande). [3] His style in the period around 1646 is very similar to that of his contemporary, Giovanni Paolo Foscarini. The works from Granata's middle period demonstrate his musical evolution and change in style.