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The Baroque guitar replaced the lute as the most common instrument found when one was at home. [2] [3] The earliest attestation of a five-stringed guitar comes from the mid-sixteenth-century Spanish book Declaracion de Instrumentos Musicales by Juan Bermudo, published in 1555. [4]
An ornate guitar made by a Joakim Thielke (1641–1719) of Germany was altered in this way and became a success. From the mid-18th century through the early 19th century, the guitar evolved into a six-string instrument, phasing out courses by preference to single strings. These six-string guitars were still smaller than the modern classical guitar.
The classical guitar, also known as Spanish guitar, [1] is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern steel-string acoustic and electric guitars, both of which use metal strings.
The clavichord is an example of a period instrument.. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written.
The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so. [1]
Santiago de Murcia (c.1682 – c.1740, moved to Mexico, composed for Baroque guitar) Luys de Narváez (fl. 1526–49) Diego Pisador (1509/10 – after 1557) Lucas Ruiz de Ribayaz (born probably before 1650, composed for Baroque guitar) Gaspar Sanz (mid-17th century–early 18th century, composed for Baroque guitar) Enríquez de Valderrábano ...
The vihuela (Spanish pronunciation:) is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory.
By the 16th century, most of the forms of guitar had fallen off, to never be seen again. However, midway through the 16th century, the five-course guitar [16] was established. It was not a straightforward process. There were two types of five-course guitars, differing in the location of the major third and in the interval pattern.