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The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [3] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [5] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
This resulted in many black jazz musicians in 1920 having to defend their music against people who were trying to run them out of popular music and entertainment venues. After racially motivated violence broke out in Chicago in 1919, the local government created the Chicago Commission on Race Relations to hopefully help with the animosity ...
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. ... Art Van Damme (1920–2010) [1 ...
Kansas City was known for the organized musicians of the Local 627 A.F.M., which controlled a number of venues in the city. [2] Almost every jazz history depicts Kansas City jazz as a fertile ground for the development of big bands, virtuosic performances, and legendary performers. [3]
In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were even less common. Mary Lou Williams, known for her talent as a piano player, is deemed as one of the "mothers of jazz" due to her singing while playing the piano at the same time. [4] Lovie Austin (1887–1972) was a piano player and bandleader.
The listeners were particularly partial to American black musicians such as Armstrong and Ellington, instead of their own German jazz musicians. [6] In the 1920s, jazz in Germany was primarily a fad. The "Salonorchester" turned to the new style, because dancers wanted it so.