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Sara Ahmed (born 30 August 1969) [1] is a British-Australian writer and scholar whose area of study includes the intersection of feminist theory, lesbian feminism, queer theory, affect theory, critical race theory and postcolonialism.
The Cultural Politics of Emotion, published in 2004 by Edinburgh University Press and Routledge, is a book by Sara Ahmed focusing on the relationship between emotions, language, and bodies. [1] Ahmed concentrates on the influence of emotions on the body and the ways in which bodies relate with communities, producing social relationships that ...
Critical theorist Sara Ahmed describes affect as "sticky" in her essay "Happy Objects" to explain the sustained connection between "ideas, values, and objects." [ 11 ] In line with these theorists, many scholars identify the role of affect in shaping social values, gender ideals, and collective groups.
The goal of the exhibit was to question the normative definition of happiness through the use of texts, posters, books, and drawings. The title of the project is a reference to Sara Ahmed's concept of the "unhappy archive." According to Ahmed, the unhappy archive is a collective project rooted in feminist-queer and anti-racist politics.
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An Idaho woman was issued a citation after she was forcibly removed from an Idaho Republican legislative town hall after interrupting the speaker. KTVB's Abby Wilt reports.
Autotheory is a literary tradition involving the combination of the narrative forms of autobiography, memoir, and critical theory.Works of autotheory involve a first-person account of an author’s life blended with research investigations.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.