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The áo dài Le Mur, or "trendy" ao dai, created a sensation when model Nguyễn Thị Hậu wore it for a feature published by the newspaper Today in January 1935. [20] The style was promoted by the artists of Tự Lực văn đoàn ("Self-Reliant Literary Group") as a national costume for the modern era. [ 21 ]
The origins of the Yao can be traced back two millennia to Hunan around the Dongting Lake region. According to a Yao tale, the Chinese Emperor Gao Xin was saved from an enemy chieftain by his faithful dog, Pan Hu. As a reward, Pan Hu was turned into a man and given the emperor's daughter in marriage.
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m]) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
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Map of Cao Bang province in 1909. Cao Bằng's history can be traced to the Bronze Age when the Tày Tây Âu Kingdom flourished. The Tây Âu or Âu Việt were a conglomeration of upland Tai tribes living in what is today the mountainous region of northernmost Vietnam, western Guangdong, and southern Guangxi, China, since at least the 3rd century BC.
The Greater East Asia Conference (大東亞會議, Dai Tōa Kaigi) took place in Tokyo on 5–6 November 1943: Japan hosted the heads of state of various component members of the Greater East Asia Co-Prosperity Sphere. The conference was also referred to as the Tokyo Conference
Among the Ao deities, Lichaba, the creator, is revered most highly. [5] Edwin W. Clark, an American missionary traveled to Nagaland in 1872 with the intention to carry out missionary work in the country. Clark approached his work among the Ao as a civilizing mission, seeking to replace traditional culture and language with that of the West.