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Fashion plates should not be confused with costume plates. As outlined by the French social and cultural historian Daniel Roche, there was a point when depictions of costume and of fashion "diverged": [16] the latter came to depict clothes of the present day, while the former came to represent clothes "after the event", that is, after the epoch of the fashionable style.
The innovative Galerie des modes is the most expansive and perhaps the best known project of the print merchants Jacques Esnauts (or Esnault) and Michel Rapilly. Both of these men hailed from the region of Normandy (Esnauts came from Magny-le-Désert, and Rapilly came from Pirou), and the name of their publishing house, Ville de Coutances, reflects these common origins.
Alice Vanderbilt dressed as "electric light" by Worth for the Vanderbilt fancy-dress ball of 1883. By the late 1880s, Worth had established characteristics of a modern couture house – twice annual seasonal collections and brand extensions through the franchising of patterns and fashion plates.
For women, fashion was an extravagant and extroverted display of the female silhouette with corset pinched waistlines, bustling full-skirts that flowed in and out of trend and decoratively embellished gowns. For men, three piece suits were tailored for usefulness in business as well as sporting activity.
Bustles and elaborate drapery characterize gowns of the early 1870s. The gentleman wears evening dress. Detail of Too Early by James Tissot, 1873.. 1870s fashion in European and European-influenced clothing is characterized by a gradual return to a narrow silhouette after the full-skirted fashions of the 1850s and 1860s.
The House of Worth was a French fashion house that specialized in haute couture, ready-to-wear clothes, and perfumes. It was founded in 1858 by English designer Charles Frederick Worth. It continued to operate under his descendants until 1952 and closed in 1956. Between 2010 and 2013 there was an attempt to relaunch the House of Worth as a ...