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The Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect égal (Fr.) Equal eilend (Ger.) Hurrying ein wenig (Ger.) A little einfach (Ger.) Simple emporté (Fr.) Fiery, impetuous en animant (Fr.) Becoming very lively en cédant (Fr.) Yielding en ...
A two-part musical form Cadenza: falling: A florid solo at the end of a performance Cantata: sung: A piece for orchestra and singers Capriccio: caprice: A lively piece, free in form, often used to show musical skill Cavatina: small instrumental tone: A simple melody or song Coda: tail: The end of a piece Concerto: concert
A fantasia (Italian: [fantaˈziːa]; also English: fantasy, fancy, fantazy, phantasy, German: Fantasie, Phantasie, French: fantaisie) is a musical composition with roots in improvisation. The fantasia, like the impromptu, seldom follows the textbook rules of any strict musical form.
Percussion notation is a type of musical notation indicating notes to be played by percussion instruments. As with other forms of musical notation, sounds are represented by symbols which are usually written onto a musical staff (or stave). Percussion instruments are generally grouped into two categories: pitched and non-pitched. The notation ...
Words for these concepts are sometimes cited as antonyms to schadenfreude, as each is the opposite in some way. There is no common English term for pleasure at another's happiness (i.e.; vicarious joy), though terms like 'celebrate', 'cheer', 'congratulate', 'applaud', 'rejoice' or 'kudos' often describe a shared or reciprocal form of pleasure.
111.241.2 Idiophone Bones (instrument) Unpitched 111.11 Idiophone Bongo drum: Cuba Unpitched 211.251.2 Membranophone Boobam: United States Unpitched 211.211.1 Membranophone Boomwhacker: United States Pitched Idiophone Plastic percussion tubes Bougarabou: West Africa Unpitched 211.261.2 Membranophone Bubon: Ukraine Unpitched 232.311 Membranophone
In an orchestral setting, the concert bass drum plays an integral role in the overall feel of a piece of music. In orchestral literature, the bass drum usually deals more with coloring and shading the sounds of the orchestra as opposed to providing a solid, rhythmic foundation like in marching band drumset.
Berio follows an ABCBA arch form in Circles (the text from the first two poems being repeated with a different setting). [1] In this way to form of the composition itself expresses a circle. Berio gives precise instructions in the score for the location of the performers and percussion instruments on stage.