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The Baroque guitar (c. 1600 –1750) is a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string. The first (highest pitched) course sometimes used only a single string.
Folk baroque or baroque guitar is a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British folk music to produce a new and elaborate form of accompaniment.
Santiago de Murcia (c.1682 – c.1740, moved to Mexico, composed for Baroque guitar) Luys de Narváez (fl. 1526–49) Diego Pisador (1509/10 – after 1557) Lucas Ruiz de Ribayaz (born probably before 1650, composed for Baroque guitar) Gaspar Sanz (mid-17th century–early 18th century, composed for Baroque guitar) Enríquez de Valderrábano ...
1 Baroque (17th and 18th centuries) 2 19th century. 3 20th century. 4 Contemporary. 5 See also. 6 References. Toggle the table of contents. List of classical ...
His compositions provide some of the most important examples of popular Spanish baroque music for the guitar and now form part of classical guitar pedagogy. Sanz's manuscripts are written as tablature for the baroque guitar and have been transcribed into modern notation by numerous guitarists and editors; Emilio Pujol's edition of Sanz's Canarios being a notable example.
He composed many other pieces for theorbo and Baroque lute (the bulk of which are preserved in the Saizenay Ms.). Complete list of de Visée's pieces for the guitar: 1682 Livre de Guitarre, dédie au roi: Suite No. 1 in A Minor: Prélude – Allemande – Courante – Sarabande – Gigue – Passacaille – Gavotte – Gavotte – Bourrée
The early baroque guitar works of Granata are characterized by their French organization of dance suites (allemande, courante, and sarabande). [3] His style in the period around 1646 is very similar to that of his contemporary, Giovanni Paolo Foscarini. The works from Granata's middle period demonstrate his musical evolution and change in style.
The curator of stringed instruments at the National Music Museum notes that most Italian Baroque guitars from that period were more ornate than the Stradivari guitars: "Stradivari was probably the first maker to highlight the natural beauty of the wood on a guitar.