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The hymn is a primary musical theme for schlock film Tromeo and Juliet (1996), credited on the soundtrack as Yes, We'll Gather at the River. [3] The title "Shall We Gather at the River" is used as the name of a second season episode of Falling Skies. The hymn opens Richard Rossi's 1920s period piece drama Aimee Semple McPherson. [4] [5]
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory.
SoftlyAndTenderly "Softly and Tenderly" is a Christian hymn.It was composed and written by Will L. Thompson in 1880. [1] It is based on the Bible verse Mark 10:49. [2]Dwight L. Moody used "Softly and Tenderly" in many of his evangelistic rallies in America and Britain.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
Text incipit of the harmonised hymn. Information regarding which part of the hymn Bach used is given in parentheses, typically verse numbers indicated by "v." Hymn titles without such information as in (untexted) chorale harmonisation collections. 2 Zahn Zahn number of the chorale melody. When the data in the Zahn column starts with N that ...
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
Usually the organ accompaniment to the last verse of a hymn tune will be heavier (in musical terms) than the standard harmony.Typically it will include lower or more profound bass notes, which will almost certainly be played on the pedalboard, and more frequent use of secondary dominants, particularly over chromatic movement in the bass.
The Second Hymn is composed in a different key from the First Hymn. The central note (mese) of the first section is D (in conventional notation), rather than C, making it the (Greek) Lydian mode. [20] Below the mese are the notes A and B ♭, and above it are E, E ♭, F, and G. The notes used in the second section are different from the first ...