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The practice of symbolic modeling is built upon a foundation of two complementary theories: the metaphors by which we live, [2] and the models by which we create. It regards the individual as a self-organizing system that encodes much of the meaning of feelings, thoughts, beliefs, experiences etc. in the embodied mind as metaphors. [3]
The theory of symbolic self-completion has its origins in the symbolic interactionist school of thought. As expressed by George Mead in Mind, Self and Society, symbolic interactionism suggests that the self is defined by the way that society responds to the individual. [2]
Symbolic behavior is "a person’s capacity to respond to or use a system of significant symbols" (Faules & Alexander, 1978, p. 5). The symbolic behavior perspective argues that the reality of an organization is socially constructed through communication ( Cheney & Christensen, 2000; Putnam, Phillips, & Chapman, 1996).
The Symbolic (or Symbolic Order of the Borromean knot) [1] is the order in the unconscious that gives rise to subjectivity and bridges intersubjectivity between two subjects [citation needed]; an example is Jacques Lacan's idea of desire as the desire of the Other, maintained by the Symbolic's subjectification of the Other into speech. [2]
The terms refer to the psychology of the individual, where in Mead's understanding, the "me" is the socialized aspect of the person, and the "I" is the active aspect of the person. [1] One might usefully 'compare Mead's "I" and "me", respectively, with Sartre's "choice" and "the situation".
A volume of scholarly essays on the concept of participation mystique recently appeared under the title Shared Realities, edited by Mark Winborn. [1] The authors included in this volume are mostly Jungian and psychoanalytic practitioners, discussing experiential, clinical and theoretical perspectives on the notion of participation mystique.
A symbolic cue is a word, phrase, slogan, or nonverbal sign or gesture that triggers previously shared fantasies and emotions. [13] Images, symbols, dramatizations, and narratives can draw people into a shared symbolic world. An example of a symbolic cue would be a bumper sticker, which actuates the observer into a larger shared reality. [13]
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