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The earliest surviving manuscripts that provide detailed dance instructions are from 15th century Italy. The earliest printed dance manuals come from late 16th century France and Italy. The earliest dance descriptions in England come from the Gresley manuscript, c. 1500, found in the Derbyshire Record Office, D77 B0x 38 pp 51–79.
In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances. Many were composed by Lully, Rameau and Gluck, and the 17th-century cibell is a variety. The dance was popular in France throughout ...
The first ballet de cour to fuse dance, poetry, music and design into a coherent dramatic statement was the Ballet Comique de la Reine, performed in 1581. As part of the wedding celebration for the queen's sister, Marguerite of Lorraine and the Duc de Joyeuse, the plot based on Ulysses’ encounter with Circe was symbolic of the country's ...
The pavane, the earliest-known music for which was published in Venice by Ottaviano Petrucci, in Joan Ambrosio Dalza's Intabolatura de lauto libro quarto in 1508, is a sedate and dignified couple dance, similar to the 15th-century basse danse. The music which accompanied it appears originally to have been fast or moderately fast but, like many ...
Jigs are a style of dance music developed in England to accompany a lively dance with steps, turns and leaps. The term jig was derived from the French 'giguer', meaning 'to jump'. [10] It was known as a dance in the 16th century, often in 2 4 time and the term was used for a dancing entertainment in 16th century plays. [79]
A courtly basse dance. The basse danse, or "low dance", was a popular court dance in the 15th and early 16th centuries, especially at the Burgundian court.The word basse describes the nature of the dance, in which partners move quietly and gracefully in a slow gliding or walking motion without leaving the floor, while in livelier dances both feet left the floor in jumps or leaps.
The first use of the term air de cour was in Adrian Le Roy's Airs de cour miz sur le luth (Book on Court Tunes for the Luth), [1] a collection of music published in 1571. The earliest examples of the form are for solo voice accompanied by lute; [2] towards the end of the 16th century, four or five voices are common, sometimes accompanied (or instrumental accompaniment may have been optional ...
Albany Music Distribution (048) 1994 A Treasury of Harpsichord Favorites: Igor Kipnis: 4 1:50 Music & Arts (CD-243) 1995 English Virginals Music: Sophie Yates 7 1:50 Chandos (CHAN0574) Flower of All Ships: Tudor Court Music: Circa 1500 12 1:51 CRD (3448) Guy Bovet à L'Orgue de la Basilique de Valère, Vol. 1: Guy Bovet — — Gallo (088)