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The name Mercutio was present in Shakespeare's sources for Romeo and Juliet, though his character was not well developed and he was presented as a romantic rival for Juliet. [3] The name is first used in Luigi Da Porto's 1530 Giulietta e Romeo. Da Porto briefly introduces a character named Marcuccio Guertio, a noble youth "with very cold hands ...
In Romeo and Juliet, Shakespeare employs several dramatic techniques that have garnered praise from critics, most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives). Before Mercutio's death in Act III, the play is largely a comedy. [71]
Mercutio is the instigator of many fights with his rather mean spirited humor, and often insults Tybalt, a renowned swordsman. It is Tybalt's temper that leads to Mercutio's death, and Romeo's banishment and the tragedy that follows. After Romeo receives a death threat from Tybalt, Mercutio expects Romeo to engage Tybalt in a duel.
Tybalt, a kinsman of the Capulets and cousin to Juliet, is dueling with Mercutio, a friend of Romeo from the Montague family. Romeo and Benvolio attempt to break up the fight. Mercutio, distracted, does not see his opponent and is fatally wounded by Tybalt under Romeo's arm. Feeling his death approaching, Mercutio declares:
Death is split into two characters: a male one that is "death" (死) and a female one that is "love" (愛) (silent dancers, working against each other in the story line). There are also Lord Montague (a silent one) and Peter (nurse's servant). [13] In the 2011 production, [14] a character of John (a monk) was introduced.
Benvolio spends most of Act I attempting to distract his cousin from his infatuation with Rosaline but following the first appearance of Mercutio in I.iv, he and Mercutio become more closely aligned until III.i. In that scene, he drags the fatally wounded Mercutio offstage, before returning to inform Romeo of Mercutio's death and the Prince of ...
"In death at last let me rest with Abelard." [11]: 76 — Héloïse, French nun, philosopher, writer, scholar and abbess (16 May 1163–64?) Murder of Thomas Becket. "For the name of Jesus and the protection of the church I am ready to embrace death." [60] [61] [note 34] — Thomas Becket, Archbishop of Canterbury (29 December 1170), to his ...
The earliest versions of the text (First Quarto, Second Quarto and First Folio) all call him "Countie Paris". Some versions of the text call him "County Paris". [5] " County" was in common usage at the time of writing, [6] and Shakespeare's choice was dictated by the needs of the metre.