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Godspell (full title: Godspell: A Musical Based on the Gospel According to St. Matthew) is a 1973 American musical comedy-drama film, an adaptation of the 1971 Off-Broadway musical Godspell (in turn based on the Gospel of Matthew), created by John-Michael Tebelak with music and lyrics by Stephen Schwartz.
The Gospel of John is a 2003 epic biblical drama film that recounts the life of Jesus according to the Gospel of John. [3] The film is a word-for-word adaptation of the American Bible Society's Good News Bible and follows the Gospel of John precisely, without additions to the story from the other Gospels or omissions of the Gospel's complex passages.
The music video received three nominations at the 2005 Music Video Production Awards, for Best Cinematography, Best Editing and Best Hip-Hop Video. [60] At the 2005 Soul Train Music Awards "Jesus Walks" was nominated for Video of the Year. [61] The video earned a nomination for Outstanding Music Video at the 2005 NAACP Image Awards. [62]
Godspell is a musical in two acts with music and lyrics by Stephen Schwartz and a book by John-Michael Tebelak. [1] The show is structured as a series of parables, primarily based on the Gospel of Matthew, interspersed with music mostly set to lyrics from traditional hymns, with the passion of Christ appearing briefly near the end.
"Personal Jesus" is a song by the English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100 .
[22] [23] Only the #1 movie, Beverly Hills Chihuahua, at $9,020, had a higher per-screen average than Religulous. [ 24 ] [ 25 ] For the second weekend, Religulous had a 35.5% drop in box office receipts and dropped to #13 with a gross of $2,200,000 at 568 theaters for a per screen average of $3,873.
The settings of the Requiem Mass by Marc-Antoine Charpentier (H.234, H.263, H.269, H.427), Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem.
The movie and the soundtrack tell the story of the life of Jesus. The album consists primarily of spoken-word recordings taken from the film of Cash describing the action on screen, interspersed with occasional songs, including several that are presented in piecemeal form through the album.