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Diana Latow Blank (born September 13, [1] 1942) [2] is an American philanthropist who founded the Kendeda Fund. She is the former wife of The Home Depot co-founder ...
Bobby Reed of DownBeat wrote, "For this album, Krall selected the songs, wrote the ensemble arrangements and oversaw three different ensemble lineups. At this point in her career, Krall knows how to put her own distinctive stamp on decades-old standards, making them sound fresh and vibrant, while still honoring the melodies that Great American ...
All songs in the album are from the Great American Songbook and were composed by George Gershwin, with lyrics by Ira Gershwin. Bennett first recorded " Fascinating Rhythm " in 1949. [ 3 ] By recording the song again for Love Is Here to Stay , he received the Guinness World Records title for "longest time between the release of an original ...
"Ease on Down the Road" is a song from the 1975 Broadway musical The Wiz, an R&B re-interpretation of L. Frank Baum's The Wonderful Wizard of Oz. The Charlie Smalls–composed tune is the show's version of both "Follow the Yellow Brick Road" and "We're Off to See the Wizard" from the 1939 version of The Wizard of Oz.
"Eaten Alive" is a 1985 song released by American entertainer Diana Ross on the RCA label in North America and Capitol label globally. The song was released as the first single on September 1, 1985, taken from her album of the same name, which was ultimately a critical and commercial failure in the US. However, it did reach top 10 and top 20 ...
Touch Me in the Morning: Expanded Edition, released in January 2010, includes a newly remastered version of the original album plus previously unreleased mixes and alternate versions as well as two songs recorded during the same timeline: "Kewpie Doll", written and co-produced by Smokey Robinson, and "When We Grow Up", from Marlo Thomas' 1972 album Free to Be...You and Me.
[7] Steve Futterman, in his review for The New Yorker, wrote, "Diana Krall's new album is a waiting game. For much of its length, the understated singer offers up congenial readings of Great American Songbook warhorses, relying on the fixed intimacy of her trademark breathy and oh-so-careful vocal style."
Lionel Richie and Diana Ross had originally recorded "Endless Love" in 1981, and the song spent nine weeks at number 1. Although Luther's album was already set to contain one Lionel Richie composition, "Hello", it was obvious that having the most-popular female artist on the Sony label singing on the album would be a benefit. [38]