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Kawaii (Japanese: かわいい or 可愛い, ; "cute" or "adorable") is a Japanese cultural phenomenon which emphasizes cuteness, childlike innocence, charm, and simplicity. Kawaii culture began to flourish in the 1970s, driven by youth culture and the rise of cute characters in manga and anime (comics and animation) and merchandise ...
Nevertheless, the formation of the Korean crafts museum in 1924 by Japanese philosopher Yanagi Sōetsu is a strong example of Japanese aesthetes who still appreciated Korean art. Japan also held an exhibition of Korean art that produced many young Korean artists such as Park Su-geun. To this date there has not been a retrospective show of the ...
In North Korea, the hanja have been largely suppressed in an attempt to remove Chinese influence, although they are still used in some cases and the number of hanja taught in North Korean schools is greater than that of South Korean schools. [22] Japanese is written with a combination of kanji (Chinese characters adapted for Japanese) and kana ...
"A similar great transformation in Japanese intellectual history has also been traced to Korean sources, for it has been asserted that the vogue for neo-Confucianism, a school of thought that would remain prominent throughout the Edo period (1600–1868), arose in Japan as a result of the Korean war, whether on account of the putative influence ...
Doug Jones, a visiting scholar in anthropology at Cornell University, said that the proportions of facial features change with age due to changes in hard tissue and soft tissue, and Jones said that these "age-related changes" cause juvenile animals to have the "characteristic 'cute' appearance" of proportionately smaller snouts, higher foreheads and larger eyes than their adult counterparts.
This describes how the Japanese at that time idealized the smaller eyes as depicted in picture scrolls and bijin-ga rather than big eyes. From the Edo period onwards, beauty standards in Japan came to idealise light skin, delicate features, a small mouth, a high forehead, small eyes and rich black hair, as depicted in many ukiyo-e pictures. In ...
This art form represents the apogee of Korean Confucian art. Korean fabric arts have a long history, and include Korean embroidery used in costumes and screenwork; Korean knots as best represented in the work of Choe Eun-sun, used in costumes and as wall-decorations; and lesser known weaving skills as indicated below in rarer arts.
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".