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The lyrics of the song first appeared in 5 stanzas in Bengali magazine in an issue of Tatwabodhini Patrika. The melody of the song, in raga Alhaiya Bilaval , was composed as a Brahmo Hymn by Tagore himself with possibly some help from his musician grand-nephew Dinendranath Tagore.
The ban was lifted in August 1947 and the song has since become a patriotic anthem in India. It has been re-interpreted by various Indian musicians including C. Ramachandra, A. R. Rahman and recently by Indraadip Dasgupta in the film Gumnaami (2019) by Srijit Mukherji. The song is currently the regimental quick march of the Indian Army. [1] [2]
Thou art the song of unprecedented pride, Thou art the flag-bearer of peace in this world. Thine erstwhile glory will surely return, Thy progeny hath finally woken up. Thou art the victory vermillion on my forehead, O Bihar, thou art the cynosure of my eye. We bow to Thee in reverence, Bihar, For thou art the garland of India.
[3] [4] The first two verses of the poem were adopted as the National Song of India in October 1937 by the Congress. [5] [6] [7] The poem was first published in 1882 as part of Chatterjee's Bengali novel Anandmath. [8] It is an ode to the motherland, personified as the "mother goddess" in later verses, of the people.
The poem was first sung on the second day of the annual session of the Indian National Congress in Calcutta on 27 December 1911. The song was performed by Sarala Devi Chowdhurani, Tagore's niece, along with a group of school students, in front of prominent Congress Members like Bishan Narayan Dhar, Indian National Congress President and Ambika Charan Majumdar.
"Yaara Seeli Seeli" Gulzar, the lyricist of the song Song by Lata Mangeshkar Language Hindi Released 1990 Composer(s) Hridaynath Mangeshkar Lyricist(s) Gulzar "Yaara Seeli Seeli" (transl. This smouldering night of separation) is an Indian Hindi song from the Bollywood film Lekin... (1990). The lyrics of the song was written by Gulzar. the music was composed by Hridaynath Mangeshkar and Lata ...
The song was written by Nawab Wajid Ali Shah, the 19th-century Nawab of Awadh, as a lament when he was exiled from his beloved Lucknow by the British Raj before the failed Rebellion of 1857. He uses the bidaai (bride's farewell) of a bride from her father's ( babul ) home as a metaphor for his own banishment from his beloved Lucknow to far away ...
The opening lines of the song set the theme. The lyricist attempts to understand the strangeness of life. He claims he is upset, but not angry. [3] In the film Masoom, the male version of the song sings and captures a father's helplessness and the female version narrates a woman's pain in dealing with her husband's illegitimate child.