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Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
By the start of the 21st century, physical film stock was being replaced with digital film technologies at both ends of the production chain by digital image sensors and projectors. 3D film technologies have been around from the beginning, but only became a standard option in most movie theatres during the first decades of the 21st century.
Similar to spy films, the heist or caper film included worldly settings and hi-tech gadgets, as in the original Ocean's Eleven (1960), Topkapi (1964) or The Thomas Crown Affair (1968). The spaghetti westerns (made in Italy and Spain), were typified by Clint Eastwood films, such as For a Few Dollars More (1965) or The Good, the Bad and the Ugly ...
An influential arena for the great split screen movies of the 1960s were two world's fairs - the 1964 New York World's Fair, where Ray and Charles Eames had a 17-screen film they created for IBM's "Think" Pavilion (it included sections with race car driving) and the 3-division film To Be Alive, by Francis Thompson, which won the Academy Award that year for Best Short.
John Whitney Sr. (1917–1995) was an American animator, composer and inventor, widely considered to be one of the fathers of computer animation. [1] In the 1940s and 1950s, he and his brother James created a series of experimental films made with a custom-built device based on old anti-aircraft analog computers (Kerrison Predictors) connected by servomechanisms to control the motion of lights ...
The landmark film Les Raquetteurs (1958), co-directed by Michel Brault and Gilles Groulx, is a key example, [10] as is Groulx's 1961 Golden Gloves. [13] Direct cinema techniques were also incorporated into a number of key fiction films of the period, such as The Cat in the Bag (Le Chat dans le sac) (1964) and La vie heureuse de Léopold Z (1965 ...
Boyle could be pioneering the new form of filmmaking as he did with digital cameras in the 2000s. "28 Years Later" could be the first blockbuster shot on an iPhone, Wired reported.
The French New Wave filmmakers such as Jean-Luc Godard and François Truffaut and their American counterparts such as Andy Warhol and John Cassavetes also pushed the limits of editing technique during the late 1950s and throughout the 1960s. French New Wave films and the non-narrative films of the 1960s used a carefree editing style and did not ...